Falcam India: F22, F38 Systems and Where to Buy
A buyer’s guide to Falcam quick release systems and cages in India, and how to buy them from Colo Exim.
A buyer’s guide to Falcam quick release systems and cages in India, and how to buy them from Colo Exim.
How QD-OLED panels make light, how they compare with RGB OLED, WOLED and LCD for colour grading, and where each panel type sits in the Flanders Scientific XMP and DM series.
Dolby sets a clear floor for HDR mastering displays: 1,000 nits, 200,000:1 contrast, P3 and PQ. Here is what each number means and which Flanders Scientific monitors meet it.
How to choose an SDI monitor for broadcast, OB vans, control rooms and set: SDI speeds, quad link, loop-through outputs, and the SDI inputs on each Flanders Scientific model.
What separates a true reference monitor from a good-looking screen, what to check before buying, and how to set up a grading suite, with Flanders Scientific XMP and DM models as worked examples.
XMP or DM? A guide to choosing a Flanders Scientific reference monitor, with verified sizes, HDR and SDR mastering differences and who needs which series.
A buyer’s guide to Flanders Scientific XMP, XMP C and DM reference monitors in India, and how to buy them from Colo Exim.
A buyer’s guide to Teradek wireless video and streaming gear in India, and how to buy it from Colo Exim.
A dry box for lenses suits small kits and travel. Larger kits in humid cities usually need a powered cabinet. Here is how to decide and what to do about fungus.
Monsoon humidity grows fungus and haze on lenses. Learn the right humidity target, how to size a dry cabinet by your kit, and which features matter.
A buyer’s guide to Eirmai dry cabinets and camera bags in India, and how to buy them from Colo Exim.
A plain guide to the ZGCINE ZG-X222: 222Wh capacity, PD3.1 140W charging, port list, a worked runtime example, and how it compares with the ZG-V99Pro and ZG-X50.
Plain guide to Teradek wireless video on a film set: how a transmitter and receiver work, how Bolt 7, Bolt 6 LT, Bolt Mobile RX, Ace 750 and Ace Micro TX differ, and what to ask before buying in India.
A plain guide to the PROMISE Pegasus line: how Pegasus5 R12 differs from the R12 Pro, what M4, R4i, J2i and Pegasus32 are for, and how to choose by workflow and capacity.
What monsoon humidity does to lenses, bodies and batteries, a simple routine for shooting in rain, and how sealed boxes, dry cabinets and weather-resistant backpacks fit in.
A practical comparison of the Dulens APO Mini Prime, Cambrian Prime and Triassic Prime series, covering format, focal lengths, mounts, coatings and which shoot suits which set.
The colorist looked at me and laughed. Mumbai. Post-production suite. I had just delivered footage from a destination wedding shoot. Shot on Sony FX3. Recorded externally to Ninja Ultra in ProRes RAW. The colorist pulled up the first shot. The groom’s sherwani was overexposed in the highlights. The bride’s face was underexposed in the shadow…
The WhatsApp message came from a wedding shooter in Pune. “Bro, I’m confused. Ninja or Ninja Ultra? The price difference is significant. But I don’t want to buy the wrong one and regret it later.” I’ve received this question more times than I can count. A cinematographer in Mumbai upgrading from the original Ninja V….
The Atomos India impact started quietly. Before 2015, Indian wedding filmmakers had a dirty secret. The secret wasn’t about cheating clients or cutting corners. It was about codecs. A wedding videographer in Jaipur would shoot a beautiful destination wedding. The footage looked amazing on the camera’s LCD. But when he opened it on his editing system…
The Facebook group post made my stomach turn. “Urgent help needed. Bought Atomos Ninja V from a dealer in Singapore. Saved ₹15,000. Screen died after 3 months. Atomos India says they won’t touch it. Dealer not responding. What do I do?” I’ve seen this post at least 12 times in the last two years. Different…
